Video art, quilting together geometric slices of colorful abstract images, kaleidoscopically morphing them into each other over a continuously evolving soundscape adapted and synthesized from the composition, RAINBOW RISING.
Musical impressions of dusk, with text and images by the composer. Quoting one mellifluous phrase (boldface below) from Robert Frost’s “Waiting Afield at Dusk” (1913), the VESPERS text is like a Haiku:
2025 . . . multimedia, computer music and digital images (6:45)
Original music and visual images are assembled in a manner inspired by quilts, layers of fabric in small swatches pieced together. The Amish of Lancaster County Pennsylvania were known especially for quilts of contrasting colors of repeating geometric shapes.
In MONTAGE, layering is applied to both synthesized musical textures and to digitally enhanced images from my Nikon Z50 (NIKKOR 16-50 lens). Three musical textures — flutters, swelling chords, and an ancient-style canon — are quilted onto an unchanging broad harmonic background. They overlay each other in four different combinations.
This is the first time I began a multimedia piece with the visual element as primary design concept rather than the music, with visuals joining after. The visual concept, as suggested by the title, is an exploration of patterns in nature featuring complex masses and threads of color. They resemble busy Jackson Pollack action paintings revealing isomorphic patterns. The title evokes the abstract patterning of molecular crystal growth.
The synthesized “soundtrack” is music adapted from my 2022 work, STONEHENGE for solo classical guitar: