Thomas Clark – composer / digital artist

Category: sound sculptures

  • LIGHTFORMS 2: Star Spectra

    1993, Borik Press (Raleigh, NC) . . . computer music . . . duration: 7:30

    Three excerpts:

  • Angels of Bright Splendor

    2013 . . . . computer music, optional solo treble instrument . . . . duration: 7 minutes

    In Zuni origin mythology, according to Wikipedia, thunder sounded, and all The People climbed from darkness, emerging into the daylight world. Seeing the Sun (Awonawilona) and not used to such intense light, they cried. Where their tears fell, sunflowers sprang from the earth.

    Angels of Bright Splendor is the second in a series of pieces about angels that began with The Fourth Angel, computer music also with optional instruments, portraying an image from the Biblical book, Revelation. The seven angels in chapter 16 inflict suffering upon humanity: “The fourth angel poured out his bowl on the sun, and the sun was given power to scorch people with fire.”

  • Nightscape

    2021 . . . . digital sound sculpture . . . . 16 minutes

    Abridged 9-minute version:

    Back in the 1970s and ’80s, I explored images suggested by nocturnal titles (Night Songs, Dark Haven, Somniloquy) and landscape titles (Animated Landscape, Dreamscape, Icescape). Rather than depicting events in narrative form, Nightscape builds a quiet nocturnal soundscape of gentle shadows, silhouettes, and points of light, inviting simple observational or meditative listening.

  • By the Shining Water

    2021 . . . . sound sculpture . . . . duration: 7:30

    I have often gazed at beautiful bodies of water, especially Lake Michigan and, more recently, the river Vltava in Prague. This sonic sketch combines musical metaphors for several features common to these majestic waters: waves and currents; sun sparkling on the surface; deep hues of the colder water below; twinkling stars above.

    Longfellow’s famous poem, The Song of Hiawatha, though it is about Lake Superior, in the first two stanzas vividly verbalizes some of these images:

    “By the shining Big-Sea-Water”

    “Bright above him shone the heavens, Level spread the lake before him”

    “Sparkling, flashing in the sunshine”

    “Motionless beneath the water.”

  • Jupiter Rising

    2020 . . . synthetic sound sculpture . . . duration: 8 minutes

    We all enjoy the mysterious splendor of moonrise, large and deeply-hued in the eastern evening sky. This sound sculpture creates a sonic metaphor for that visual phenomenon, but portraying instead the rising of Jupiter, the largest object in the solar system other than the sun itself. It only looks much, much smaller to us than the moon because it is so much farther away.

    One of my favorite Mozart symphonies is Symphony No. 41 in C Major, K.551. His longest and last symphony, it is nicknamed “Jupiter” — fitting that his lengthiest and greatest symphony is named for the largest planet, a great gas giant. A vivid musical motive begins and generates the majestic final movement. I use it as the musical subject of this sound sculpture, relentlessly canonic in deployment. At some moments, as many as 8 contrapuntal soundings overlap each other in a cloud-like texture.

    Notice that my rhythmic setting of the motive is designed irregularly, so that the two lines seldom move at the same time in what I would call a contrapuntal accent. This creates the overall floating quality of the contrapuntal rhythmic texture. One refreshing feature of a sound sculpture is this freedom from the metric march of time. The music does not progress, but instead creates a sonic cloud to be experienced by relaxed absorption and contemplation.

  • Carte du Ciel

    sky map

    2019      digitally synthesized sound sculpture      duration: 8 minutes

    Carte du Ciel was an ambitious second phase of an international star-mapping project initiated in 1887 by Paris Observatory director Amédée Mouchez.  A new photographic process revolutionizing the gathering of telescope images inspired the first phase, the Astrographic Catalogue of a dense, whole-sky array of star positions. Carte du Ciel, never completed after 70 years, used the Catalogue as a reference system for a complex survey of the vast field of even fainter images.

    In the music, ghostly wisps of sound are punctuated by brighter bursts, clustered in a natural, not-quite randomly dispersed texture.

  • Lunar Litany

    2018      digital synthesis      duration 6:40

  • Rainbow Rising

    Rainbow Rising

    computer music      2016      duration: 4:38      San Marcos, Texas

    Live performance February 6, 2018, at Texas State University Performing Arts Center:

    Texas State cello students Boris Chalakov, Joshua Adams, Terri Boutte, Simon Reid, Anna Trevino, Gabriel Vazquez

  • Falling Water

    Falling Water

    computer music      2016      duration: 6:30      San Marcos, Texas

    generated from recordings of North Carolina waterfalls

  • CELESTIAL CEREMONIES

    electronic music      total duration: 12 minutes      1976 rev. 2017      Ann Arbor, MI and San Marcos, TX

    I. Dark Energy

    II. Black Hole

    III. Gravitation

    IV. Luminescence