Thomas Clark – composer / digital artist

Tag: Janacek

  • Brno Variations

    2024 . . . wind ensemble . . . (13 min.) . . . Picc, Fl, Ob, 3 Clar, Alto Sax, Ten Sax, Bari Sax, Bsn, 3 Trp, 2 Hn, 2 Tbn, Euph, Tuba, Timp, Perc, Dbl Bass

    Leos Janácek composed his great concert work, Sinfonietta, in 1926 for the Sokol Gymnastic Festival in Prague. It is what I call musical sketches of his home city, Brno, the largest city in the Moravian east of what was then Czechoslovakia. I visited Brno several times starting in 1991 to perform my music at its International Music Festival. The festival traditionally ends with a performance of Sinfonietta by the Brno Philharmonic in Janácek Divadlo (theatre). In 1993 my ballet, PTACI, was premiered at historic Mahunovo Divadlo, across a plaza from Janácek Divadlo.

    Though I could have continued my “Sketches” series with a “Brno Sketches,” instead this new work is a set of more abstract variations partly based on and quoting themes from Sinfonietta (in the tradition of Brahms’ Variations on a Theme of Haydn). Variation 1 “Canon” engages that ancient musical technique, evoking Brno’s medieval history. Variation 2 “Overtones” explores two harmonic series, C and Bb, painted over each other in layers of color, with hints of fanfare emerging through the clouds. Variation 3 “Constellations” is a kaleidoscopic succession of large sonorities built on stone-sturdy Perfect Fifth intervals brightened by jazz-like added tones. Variation 4 “Fanfare” is an ostinato pattern-music fantasia on Sinfonietta‘s grand fanfare themes.

    To obtain free performance materials, email: TC24@txstate.edu

  • Staré BRNO

    2024 . . . wind ensemble (7:10) TC-138

    My first of five visits to the ancient Moravian city of Brno was in 1991, shortly after the Velvet Revolution liberated Czechoslovakia and shortly before it became the Czech Republic. The old (“staré”) center of the city is a cobble-stoned plaza with tram tracks running across, surrounded by Austrian-era buildings. There you could often find a Moravian folk music group performing, fall kiosk vendors serving fermented cider, or a holiday bazaar in the snow. Local lore says the plaza and nearby green market are the center of Brno, the central city of old Czechoslovakia, itself in the center of the European continent. With a medieval castle and twin-spire cathedral, Brno was also the beloved home of Leoš Janáček, the great early modern Moravian composer, whose music provided the themes for the ostinato variation textures of this new soundscape.