Thomas Clark – composer / digital artist

Tag: sound sculpture

  • PENINSULA

    1984 . . . piano and recorded computer music . . . duration: 8:30 . . . . . . . . . . published by Borik Press (NC)

    Glacially-etched shorelines inspired sonic imagery for a series of pieces culminating in PENINSULA. Mappings of the natural contours of the Leelanau Peninsula provided richly varied patterns as basic coordinate numbers for sculpting sound patterns. The piano explores some of the endless possibilities for articulating a spectrum of sonorities. A surrounding environment of synthetic sounds was made by digitally analyzing timbral qualities of acoustic instruments, mostly with percussive articulations (metaphorically the rocky shore). The timbres were modified and resynthesized into a pointillistic sound texture. The density of the sound events rises and falls in waves according to changing values derived from the basic mappings. Larger confluences of waves are located in time by map points of special significance on the graph.

    The coexistence of piano sonorities and synthetic sounds is a metaphorical meeting of seascape and landscape, both animated in time.

    performance by Clifton Matthews, Winston-Salem NC, February 2007

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  • Nightscape

    2021 . . . . digital sound sculpture . . . . 16 minutes

    Abridged 9-minute version:

    Back in the 1970s and ’80s, I explored images suggested by nocturnal titles (Night Songs, Dark Haven, Somniloquy) and landscape titles (Animated Landscape, Dreamscape, Icescape). Rather than depicting events in narrative form, Nightscape builds a quiet nocturnal soundscape of gentle shadows, silhouettes, and points of light, inviting simple observational or meditative listening.

  • By the Shining Water

    2021 . . . . sound sculpture . . . . duration: 7:30

    I have often gazed at beautiful bodies of water, especially Lake Michigan and, more recently, the river Vltava in Prague. This sonic sketch combines musical metaphors for several features common to these majestic waters: waves and currents; sun sparkling on the surface; deep hues of the colder water below; twinkling stars above.

    Longfellow’s famous poem, The Song of Hiawatha, though it is about Lake Superior, in the first two stanzas vividly verbalizes some of these images:

    “By the shining Big-Sea-Water”

    “Bright above him shone the heavens, Level spread the lake before him”

    “Sparkling, flashing in the sunshine”

    “Motionless beneath the water.”