Tag: Zambra

2022 . . . string orchestra (19 min.)

In a lighthearted cabaret style, each dance adopts tunes from the iconic symphonies of master composers Mozart and Beethoven. Each is set in different key signatures from the quoted theme, as appropriate for these venerated dance forms.

Mazurka . . . Zambra . . . Tango . . . Waltz

Mazurka (imagine Warsaw) explores the graceful rising and falling of the melodic theme in the sometimes-neglected beautiful second movement of Beethoven‘s masterpiece, Symphony No. 5 in C Minor, Op. 67.

An ancestor of Jarabe tapatío, the national dance of Mexico, Zambra is an old Spanish flamenco dance still performed in Andalusia. Beethoven’s Symphony No. 7 is famous partly for its majestic slow second movement, a dark dirge in A Minor that builds relentlessly through a theme and variation process. In Zambra (imagine Granada) the harmony is darkened while the persistent rhythmic repetition is lightened by a fast flamenco tempo.

Mozart’s Symphony No. 41 “Jupiter” is one of his greatest masterpieces. His No. 40 “Great G Minor” and No. 38 “Prague” are also magnificent. It makes one wonder if he had lived longer, what other stunning music would have poured forth.

Tango (imagine Buenos Aires) is built from the main themes in the opening of the No. 40 in G Minor as a languid blues tune. The keys flow like dancers, the musicians feeling their way through the shadows.

Waltz (imagine Vienna) draws on the main theme of the No. 41 Jupiter’s finale, a curving melody of rhythmic vitality and fascinating turning shapes.